Thanks Lexcen, you're definitely correct that taking the color out of a night photo can often be an improvement. I hadn't considered leaving the color in some parts the way you did here though.
Generally I find two (non-artistic) reasons to take the color out of a photo. Really white photos, like snow scenes are one. The camera will sometimes see colors where they aren't (or at least, where I don't see them).
The other is in night shots, as you've pointed out. Switching to black and white not only solves the problem of dealing with the weird yellow/red that comes from street lights, but also allows greater flexibility with the contrast. If I take a night shot that isn't very sharp, I can sometimes cheat by taking out the color and boosting the contrast. I know I've got a few of those in the archives, I'll see if I can dig one up.
Photoshop has another alternative, which is a function that reduces the color saturation by percentage. Sometimes it doesn't have to be totally black and white, just less colored.
Artistically speaking, I generally only consider black and white where there's a pattern or something particularly linear that easier to see without color as a distraction.
Of course, because with digital photography switching to black and white is a post-production step, I often forget about it.
Thanks very much for the feedback. I really appreciate it.
4 comments:
What is the difference? What exactly did you do?
JP, if you go to his site, you'll see its a color photo. I've filtered it through effects in Picasa to leave only the color in the middle.
Thanks Lexcen, you're definitely correct that taking the color out of a night photo can often be an improvement. I hadn't considered leaving the color in some parts the way you did here though.
Generally I find two (non-artistic) reasons to take the color out of a photo. Really white photos, like snow scenes are one. The camera will sometimes see colors where they aren't (or at least, where I don't see them).
The other is in night shots, as you've pointed out. Switching to black and white not only solves the problem of dealing with the weird yellow/red that comes from street lights, but also allows greater flexibility with the contrast. If I take a night shot that isn't very sharp, I can sometimes cheat by taking out the color and boosting the contrast. I know I've got a few of those in the archives, I'll see if I can dig one up.
Photoshop has another alternative, which is a function that reduces the color saturation by percentage. Sometimes it doesn't have to be totally black and white, just less colored.
Artistically speaking, I generally only consider black and white where there's a pattern or something particularly linear that easier to see without color as a distraction.
Of course, because with digital photography switching to black and white is a post-production step, I often forget about it.
Thanks very much for the feedback. I really appreciate it.
Will, you're most welcome. It was just an idea that I thought I should share with you.
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